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Adam Sandler Cancels All 2025 NYC Tour Dates in Controversial Statement
In an unexpected and highly charged move, Adam Sandler has announced the cancellation of all his scheduled tour dates in New York City for 2025.
The reason? A statement posted to his social media platforms, which has ignited a firestorm of debate.
Sandler’s words were simple but stark: “Sorry NYC, but I don’t sing for commies.”
The announcement has left fans and critics alike reeling, as the beloved actor and comedian has always been seen as a figure of humor and light-heartedness.
However, this bold political statement shifts his public image, especially given the political climate in America today.
Sandler’s decision to cancel his performances in one of the most liberal cities in the country has caused waves of both support and backlash, sparking debates about free speech, politics, and the entertainment industry’s role in social issues.

The Statement That Shook the Entertainment World
Adam Sandler’s social media post was brief, but it sent a clear message.
The actor, known for his roles in hit films like Happy Gilmore, Billy Madison, and Uncut Gems, took to Instagram to voice his opinion.
His post read: “Sorry NYC, but I don’t sing for commies.”
This statement directly refers to the city’s left-wing political stance, which has long been associated with progressive values and activism.
Sandler’s decision to single out New York City, a city that has long been a cultural and political hub for liberal ideologies, came as a shock to many.
While his comments have resonated with a section of his fan base, it’s also alienated others who view it as divisive.
The Reactions: Support and Backlash
Supporters of Sandler’s decision argue that the move shows courage and the willingness to stand by his principles.
For these fans, Sandler is taking a stand in a time when many public figures and entertainers are reluctant to voice their political opinions.
His decision not to perform in New York City is seen as an act of defiance against what they perceive as the dominance of “liberal elites” in the entertainment world.